Documentary Kit
Camera
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Sony FX3(XLR Handle+Cage+CFA 320GB)
Lenses
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Sony 24–70mm GM II
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Sony 16–35mm PZ f/4
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Sony 50–150mm GM f/2
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NiSi 35mm T1.9
Audio
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DJI Mic 2（1RX+2TX）（Lavalier）
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Sony ECM-B1M or Rode Shotgun Mic
Support
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Tripod
Monitoring
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Atomos Ninja V
Filters
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Tilta Mirage VND
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Black Mist
Power
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V-Lock Battery
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NP-970
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Smallrig V-Lock plate
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D-Tap to DC port cable
Lighting
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120w Spotlight+softbox
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AirTube light 120w
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Panel light x4
Some people say that doing something well is already an art form.
For interviews, the simplest setup is often just a camera in front of a person—but I see that as the starting point, not the finish line.
I like to build a more cinematic setup that adds intention to the image, even in straightforward situations. This is usually how I approach higher-end work, although I’ll often simplify things when speed matters more than complexity.
Some people say that doing something well is already an art form.
For interviews, the simplest setup is often just a camera in front of a person—but I see that as the starting point, not the finish line.
I like to build a more cinematic setup that adds intention to the image, even in straightforward situations. This is usually how I approach higher-end work, although I’ll often simplify things when speed matters more than complexity.